This is the first-ever website dedicated solely to Sally Hawkins, the British rising star who has wowed us in a variety of roles in film, TV and theatre.
All information mentioned here is derived from extensive researches via the internet, printed publications, and personal encounters.
SALLY HAWKINS
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National Theatre Interview |
INT: Were you familiar with the play before this production?
SH: I was. I studied Lorca at school, which I just loved. I loved the poetry of his writing and remember finding it incredibly powerful, but not quite knowing why at the time. Then I saw quite a few amateur productions over the years but I was put off and I pushed the work away mentally. But now, reading David's version and going back to the original text, I realise how quick I was to judge, despite my initial introduction engendering such a profound reaction. It's like Shakespeare or Chekhov - done badly it can totally put you off. That's a shame as it can be so modern, true and so relevant.
INT: And would you apply those three words to this production?
SH: Completely. Howard makes it so relevant. He's very good at letting you do what you want to do, instinctively, so every moment feels truthful.
INT: I think everyone's been surprised about how funny the play is in parts, can you say anything about that?
SH: The play is so right, because life is funny and tragic at the same time. Other families are especially funny to watch and Howard has got a dry sense of humour himself. You need that light relief. It sort of provides for the tragedy, so you can see more clearly in a way. The other day I was saying goodbye to someone and was in tears at the train station. I ran for the train and down the steps and then as I said my final 'goodbye' the train shot past. So, the train had gone. We found it very funny at the time but it was more painful because of it.
INT:: You're right, that's a great parallel to how the play works. Adela is a really interesting modern character. How would you describe her? Do you like her?
SH: I love her. I think she's brilliant. She is incredibly bright, she epitomises life and spirit and joy, she's full of laughter. Her death is sort of like a fire going out. She's represents romantic idealism and freedom; she's just beautiful - she's got a beautiful soul and she's very truthful because she won't repress her needs and desires. She's such a free spirit and doesn't apologise for it, and I really admire her for that. It's kind of taught me a lot: you are who you are and can't help how you feel.
~ taken from The House of
Bernarda Alba Background Pack - written by Orla O'Loughlin, Staff Director
